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Grateful Dead Live at Euphoria Ballroom on 1970-07-14

Topics Soundboard

Set 1

Don't Ease Me In *
Friend Of The Devil
Dire Wolf
Dark Hollow
Black Peter
How Long Blues
Deep Elem Blues
Cumberland Blues
New Speedway Boogie

Set 2

Casey Jones
El Paso
China Cat Sunflower ->
Jam ->
I Know You Rider
Easy Wind
Me And My Uncle
Cryptical Envelopment ->
Drums ->
The Other One ->
Cryptical Envelopment ->
Cosmic Charlie
Drums ->
Good Lovin' ->
Drums ->
Good Lovin' ->

Uncle John's Band

Collection GratefulDead
Band/Artist Grateful Dead
Date July 14, 1970
Venue Euphoria Ballroom
Location San Rafael, CA

Source SBD > Master Reel > Dat> cd> shn> cd> ?> shn
Lineage Dat > cd > shn > cd > ? > shn


* = Audience Source


Reviewer: chris phillips - - June 28, 2014
Subject: NSB
Peter through New Speedway is splendid.
The cut in Good Lovin' is consequential, as that was likely the highlight by the sound of what remains.
Reviewer: Go Faster, Get Rounder - - June 27, 2014
Subject: Yes. You want this one. For sure.
Many, many thanks to however made this available and to whoever upped it.

Great show, excellent fidelity for a 1970 show. There are some glitches and a couple of patched songs, but still very, very listenable by anyone's standards who has listened to a decent number of shows from this era.

I love the funky percussion at the start of China Cat --> Rider -- I would have loved to have heard them do stuff like that more often. (For all the clever commenters, probably the reason that it is marked as "China Cat --> Jam --> I know you Rider" is that those used to be stand along songs that were not played together until not too long before this show -- late 1969, I think -- and I am sure whoever upped it just followed the very early, and in my book very esteemed, taper's notations. Anyone who was taping shows back in 1970 gets to make fun of it but everyone else: Don't do it--it makes you look silly.) Anyway, it is still a pretty raw transition at this point--not the totally fluid stuff you would get later --like Providence 9/4/80, or even PNE Coliseum in 1973.)

Having only a partial of the Easy Wind is kind of a bummer, especially how good the ending of it sounds-- oh well, Pigpen sounds in good form for what little there is of it.

And in my book, anytime you have a full Cryptical suite it is a very good thing (the drummers were having a seriously good time this show -- and are high in the mix -- an interesting mix compared to most). Plus, out of that into Cosmic Charlie -- a huge start to Cosmic Charlie -- it fires all my little overloaded neurons. Actually, I think this is one of the all-time Cosmic Charlies -- the vocals have a couple of rough points (Cosmic Charlie is a freakin hard song to play and sing--doesn't seem like it would be but it is -- try it sometime), but it starts out perfect, and the couple of glitches in the middle are quite short, and by the end they have the vocals working freakin great--like the best I've heard -- and the short jam towards the end is restrained, yet exudes massive raw power-- the aural equivalent of Bruce Lee after he realizes that the guy who just hit him in the face with a cream pie also killed his sister -- but just before he starts kicking butt . . . .

Overall, it is just HUGE -- and I really, really like Cosmic Charlie a lot -- a hugely unique song musically -- and who hasn't known a few Cosmic Charlies?

Then the drums to start Good Lovin ("Sock it to em" someone says-- and they got it RIGHT -- the drummers were smoking on this night) -- and Pigpen -- with his vibe and power -- and a LONG Phil solo in Good Lovin -- yeah, yeah, yet another Phil Solo . . . . Right. What are there -- like 10 total? Unfortunately a NASTY cut in Good Lovin right after everyone starts working back in with Phil, but at least we do have about a minute and a half of Phil soloing.

And I love the drums in Uncle John's band -- the drummers were truly on during this show-- I love what they were doing. And by happy coincidence, they were not only on, but high in the mix.

I highly recommend this one. Now, go on home, your Mama's calling you . . . . But first listen to this show really, really, really loud . . . .
Reviewer: aquanee - - February 8, 2013
Subject: Nice!!
Of Note: David Crosby plays 12-string guitar on Cumberland and New Speedway, and Jerry plays electric on these tunes.

RE: The China>Jam>Rider notation, this is also how it is notated by Jim Powell, Dick Latvala and Rob Eaton in their description on, not sure why .. just an FYI.
Reviewer: swampRatchild - - December 22, 2012
Subject: perfect
You get the best of both worlds with this show.A nice somewhat mellow acoustic dead and the rocking ballbusting psychedelic dead. quality with these old shows arent the best sometimes but better than nothing.
Reviewer: rrschwz28 - - October 31, 2012
Subject: small miracles
No thanks for chopping TOO up into four least Good Lovin' is intact.

To whomever wrote the "Description": thanks for letting us know that they "Jam" between China and Rider.
Reviewer: ramble_on_baby - - August 11, 2012
Subject: ,
four stars for an excellent show with sound quality issues (though it does contribute some funny banter) and lyrical slip ups. overall a wonderful, love these 70s acoustics. wrenching black peter and jammin deep elem.
song title error for china cat, has the usual i know you rider transition, before easy wind. thought for a second the ccs>ikyr pairing was absent (only happened twice since 69) but no dice.
Reviewer: rschwz28 - - July 13, 2012
Subject: Why?
Why is "That's It For The Other One" split into four separate tracks?
Reviewer: splue - - June 5, 2011
Subject: inhale this
& hold it

hold it

kay then
Reviewer: cloudsplitter - - July 14, 2010
Subject: Great Acoustic Dead
An evening with the Grateful Dead, how sublime. The Acoustic Dead play great, with a nice rare How Long Blues. A nice jam on New Speedway, always a favorite of mine. The electric set is played excellent. I recommend checking this one out.
Reviewer: Dylan M - - April 22, 2010
Subject: Acoustic Set is tops
How Long Blues, Deep Elem Blues, Cumberland Blues...

Hell yeah!

The How Long is a delightful Jerry rarity. It may be my only SBD copy of it by the GD.

This version of New Speedway is nice and jammed out with a three minute jam outro to end a nice acoustic set. We thank the powers that be for getting this to us.
Reviewer: oh_uh_um_ah - - July 16, 2009
Subject: The GRATEFUL DEAD "Live On Stage" July, 14, 1970 at the Euphoria Ballroom, San Rafael, California, United States of America

~Super 70' Soundbard & Classic 1970 Sound~

This show is a "gotta have it, must have".

At the begining of Elpaso Jerry says: "Okay now here's where Weir gets his the expense of everybody..."

Apparently someone forgot to turn the tape machine on when "Easy Wind" started, so all we get is a Garcia solo and Pigpen singin' the last verse and then it ends...freakin' hippies!

The GRATEFUL DEAD are still doing songs from Anthem of the Sun and Aoxomoxoa which is a real treat to hear performed live.

An exceptional performance of "Cosmic Charlie".

And there is nothing like Pigpen singing "Good Lovin'".

Uncle John's Band is performed effortlessly and is memorable. Garcia's guitar sound is classic; full of tone & body.

Nothin' like a GRATEFUL DEAD show, especially when it's in a tiny hole in the wall club in the Canal neighborhood of San Rafael.

Today the Canal is filled with Hispanics and everything is in Spanish...lmao

Here's one way to download this show:

The IA recommends users of Windows XP view this web-page with RealPlayer.

RealPlayer is a free media player you can download at

Using RealPlayer to view this webpage, click the VBR M3U link to open the songs in the Playlist. If your Playlist is not open, open it by clicking the Playlist icon at the lower right hand corner of RealPlayer. Once the songs are in the Playlist, double click the song to play it, then click the record button at the lower left hand corner of Realplayer to record it.

When the red line reaches the other end click the stop button to download the song. Your song is in the RealPlayer Downloads folder. Repeat these steps for each song.

Eat, Drink, Be Merry and Listen to the GRATEFUL DEAD.

Thanks for the LOVE from 1970.
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Uploaded by
Matthew Vernon
on 1/3/2009
Grateful Dead
by Grateful Dead
Source: DTS-Audio-CD 5.1 Mix; SBD (shnid=183) SBD> master reel> cassette> Dat >HD> shn; transfer by T. Wul + AUD (shn id 126070) source: aud cassette master; taped by Jim Cooper; sony ecm22p's > hitachi trq-222; nak dragon > benchmark adc1 24/96 > adobe audition cs6 16/44.1 > flac; transfer & seed - Rob Berger - DTS mixing by Kevin Tobin
Grateful Dead
by Grateful Dead
Source: AUD: 2x Beyer M-88's > Sony TC-D5M > Maxell MX-90s, set up at the end of the floor, fifteen rows up in the riser, taped by Joe Morrone.
Grateful Dead
by Grateful Dead
Source: Schoeps CMC3/MK4 (ORTF) > unknown power supply > Panasonic SV-255 (lead deck) > Coax SPDIF > Casio DA-7 dat (first deck out) > Agfa Dat tape. Mics on 7-foot stand, back of floor center, directly behind the lighting board.
Grateful Dead
by Grateful Dead
Source: Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes;
Grateful Dead
by Grateful Dead
Source: Source: 2 Sennheiser 421 microphones (up front-center)> Sony TC-D5M - master analog cassettes;
Grateful Dead
by Grateful Dead
Source: (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24
Grateful Dead
by Grateful Dead
Source: Master Audience Recorded By Seremetcc, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Marantz PMD 430 > Tapes:Denon HD 8-100's; Recorded From The Repeater Stack; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename
Grateful Dead
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Source: source: (2) sennheiser 441 fob>d-5>d-5 (mine); conversion: sony tc we435> sbm-1>d-8>sony pcm m-10 96khz/24bit> cdwave> traders little helper encoding option 8 conversion rate: 96khz/24bit
Grateful Dead
by Grateful Dead
Source: Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90)
Grateful Dead
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Source: Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software